Clarke Animal Shelter Has New Hours 

The Clarke Animal Shelter revised its hours in March to better serve the animals in its care and the humans who come to visit. New visiting hours are: 10:30am to 4pm Mondays, Tuesdays, and Thursdays; 11am to 6pm Fridays; 10am to 4pm Saturdays. The shelter is closed on Sundays, Wednesdays, and holidays.

Clarke Animal Shelter staff does not travel to trap or collect dogs or cats. The shelter does not accept wild animals. Staff is on site to accept pets surrendered by their owners and strays delivered by individuals or Sheriff’s deputies. Anyone who needs to drop off an animal — surrenders and strays — should first call the shelter, so staff is prepared to receive the animal(s).

Additionally, know which agency to call regarding any stray or lost domestic animal, including livestock, or to share a concern about a wild animal in Clarke County. Different agencies respond to different situations. Go to the Clarke County website, www.clarkecounty.gov, and the “Animals & Animal Shelter” page for more information. Clarke County government manages Clarke Animal Shelter, but the shelter is owned by the Clarke County Humane Foundation, a 501(c)(3) corporation.

Staff and the volunteers who work at the shelter are dedicated to finding permanent homes for all adoptable pets. Adoption fees are $35 for a cat and $50 for a dog. The Clarke Animal Shelter is located at 225 Ramsburg Lane in Berryville. Contact Animal Shelter Manager Katrina Carroll at (540) 955-5104 or animalshelter@clarkecounty.gov. 

— Cathy Kuehner

Top of Virginia Regional Chamber to Provide Arising Leadership Program

The Top of Virginia Regional Chamber will offer the Arising Leadership Program (ALP) as a catalyst for the development of a dynamic workforce in the Top of Virginia region. This program cultivates leaders in the arising generation that radiate confidence through awareness and experiential learning.

The program allows participants to explore the diverse facets of the Top of Virginia region’s career opportunities in business, government, and the nonprofit sector. Its goals are to cultivate leadership and communication skills, instill and nurture a sense of civic and social responsibility, and to provide participants with a specific career pathway shadow session. Rising juniors and seniors in public, private and home schools in the city of Winchester and counties of Clarke, Frederick and Warren are eligible to participate, but space is limited. The program is free thanks to its sponsors.

Sessions will cover topics such as leadership and communication, business and industry, community culture and agriculture, government and public safety, and health care and the nonprofit sector. The program ends with career exploration and capstone projects.

Registration is open through April 14 at www.regionalchamber.biz. Additional information is available by calling 540-662-4118 or emailing kfincham@regionalchamber.biz.

Patterson’s paintings at Cosmic Harvest Art Show

Berryville artist Keith Patterson’s artwork will be featured at the 2024 Cosmic Harvest Art Show at The Galleries at Long Branch in Millwood Virginia. The Galleries at Long Branch are a fitting backdrop for the bold and audacious colors, themes and scenes of Keith Patterson’s award-winning original artwork. This all-new exhibit is comprised of 30 never-before-displayed works that range from florals and landscapes to the abstract and outright mystical. Keith has studied and adopted the techniques of modern 19th century artists Cezanne, Manet, and Van Gogh, as well as 20th century masters Matisse, Monet, and Pollock. Much of the inspiration for Keith’s work arises from the natural beauty of Clarke County and in the mountains, rivers, and farms of Virginia’s Shenandoah Valley.

The opening of the exhibit is Saturday, April 6 from 6–8pm at The Galleries at Long Branch 830 Long Branch Lane, Millwood, VA. The exhibit runs through June 30. For information go to www.cosmicharvest.com

Quilt Exhibition Tours the Nation’s Capital through Fiber Art Binoculars 

From the fiber artists who brought us Inspired by the Beatles (2016), Inspired by the National Parks (2017), Inspired by Elvis (2019), and Inspired by Endangered Species (2020) comes another exhibition featuring 103 quilts that depict unmistakable landmarks and destinations in and around our nation’s capital. Inspired by the Nation’s Capital will remain on display at the Barns of Rose Hill through April 27. 

Interlaced with familiar sights like the US Capital, Lincoln Monument, and the White House, visitors will also find themselves immersed in scenes of the bustling Maine Avenue Fish Market, of kites soaring overhead at the Cherry Blossom Festival, and of pigeons enjoying scraps around brightly colored food trucks. Collectively instilling a sense of pride and patriotism, this clever exhibition will appeal to anyone who has ever visited, lived, or worked in DC.  

Galleries at the Barns of Rose Hill are free and open to the public from noon to 3:00 p.m., Tuesday through Saturday, and during events. More information about the exhibition is available at barnsofrosehill.org/exhibits.

Story and image by Doug Pifer

My ears caught the high-pitched calls of wild geese. I spied three V-shaped strings of tiny dots crossing the March sky. Doubting whether the geese would show up in a photo, I snapped a picture with my phone anyway. After enlarging the picture I counted 220 individual geese.

Headed due north, they were following the migration path of their ancestors. I guessed they had spent most of the winter in the vicinity of Chesapeake Bay, or possibly as far south as the coastal Carolinas. 

Later in the day a low-flying pair of Canada geese crossed our field toward the creek beside our house, honking loudly. These were locals, very possibly the same pair whose nest I pass on my way to town. 

Eighty years ago, it was rare to see a big flock of Canada geese flying northward in the spring. A locally breeding pair of geese was unheard of. Unregulated hunting, plus the destruction of habitat, were the main reasons for their scarceness. Originally most Canada geese ranged across the continent in the winter but migrated north to their breeding grounds in spring. Only one regional subspecies, the giant Canada goose, nested in the continental United States, in the Midwest. Lewis and Clarke first described seeing big geese nesting along the Missouri River in 1804, but by 1900, giant Canada geese were believed to be extinct. Then in 1963 a waterfowl biologist named Dr. Harold Hanson discovered a population of giant Canada Geese around Silver Lake, near Rochester, Minnesota. Much larger than a typical Canada goose, these weighted over 12 pounds. The U.S. Fish and Wildlife Service placed the population under federal protection. State fish and game departments started breeding programs to build up populations of the rediscovered giant Canada geese. 

Thus begins one of the most dramatic wildlife success stories in history.

By not migrating, giant Canada geese fare much better in many ways than their relatives by staying in a more moderate climate the year round. By contrast, geese that nest in the high arctic and across northern Canada are highly migratory because their food sources disappear in the harsh winters. And after they return in the spring to their nesting grounds, they have only three months to raise their young. Should the weather be unfavorable, their nesting attempts may fail during that season. 

By the 1970s, giant Canada geese had spread across the country with great success. Delighted with the hunting opportunities the “local” geese provided, most states opened special resident goose hunting seasons in September before the migratory Canada geese arrived. 

Soon it became clear that hunting hardly made a dent in the goose population, which kept increasing. Local geese made themselves at home on golf courses, private estates, athletic fields, corporate or college campuses, and city parks. The big birds aggressively protected their young, attacking anyone who got too close. They loafed and pooped on public beaches, bike trails, airports, golf greens, sidewalks, and picnic grounds. Pairs of geese, with their young in tow, grazed boldly on swaths of closely mowed grass or sauntered across roads and parking lots, as if they owned the place. Low flying flocks interfered with airline traffic and caused accidents.

Human conflicts and health and safety hazards aside, these circumstances weren’t good for the geese either. When people fed the local geese, the birds lost their fear and became more aggressive. What’s more, as some geese became partial to an unnatural diet of bread, poor nutrition caused their wings to become deformed, inhibiting their ability to fly.

Between the end of June and the end of July, all Canada geese replace their wing feathers and become “grounded” for a few weeks until the wing quills all grow back and harden. Just before this happens, they make a short retreat or “molt migration” to a safe spot where there is plenty of food and they can swim away from ground predators. Because geese are chiefly grazers, they prefer places with easy access to short grass. Riverbeds with flood plains, golf courses, industrial complexes with reservoirs, and parks are favored hangouts at this vulnerable time.

For several years some localities took advantage of this vulnerability, organizing “goose roundups” during the molting period . Designated folks herded the local adult and young geese into enclosures where they were destroyed. This practice was widely condemned and mostly discontinued. Now, more humane alternative control methods prevent geese from nesting or staying in unwanted places. These include using dogs trained to bark and chase, but not to kill, the geese. And, planting tall vegetation, shrubs and trees near ponds or streams where geese gather will keep them away. It creates a situation where geese feel uneasy about being ambushed by predators. 

Local Canada goose populations seem to have moderated over the past decade. While I miss watching flocks of geese passing low overhead all year round, I welcome the sight a high-flying V of Canada geese as they migrate to and from their northern nesting grounds each year.

By Jon Goldberg

Join the Main Street Chamber Orchestra on Saturday, April 13 at 4pm, at Grace Episcopal Church, Berryville, for a performance of Beethoven’s groundbreaking Symphony #3, the Eroica. Long considered one of the two or three greatest works in the classical canon, the MSCO is excited to bring this work to our community. 

“Eroica” is an Italian word that means “heroic.” Although written over 200 hundred years ago, Beethoven’s narrative of a hero’s journey to self-realization has never lost its immediacy. The first movement is restless, driven, constantly in flux. Everything pushes forward, yet never arrives — much like a military battle, with great forces on the move, always in a process of becoming. Our hero, be it Napoleon or Beethoven himself, is constantly striving towards his own hard-won self-realization.

The second movement begins with a funeral march in the French tradition, something that had never been done before in a classical symphony. However, after a battle, you must bury the dead. Musically, what Beethoven buries are the strict formal traditions of the classical style. The movement ends with a moment of heart-filling grandeur that Beethoven never surpassed.

The third movement is Beethoven’s first true symphonic “Scherzo,” and is far removed from the courtly minuet and trio form of the typical classical symphony. It is exhilarating. As the funeral march followed the battle, the scherzo follows the burial and suffering, mirroring a return to life and joy.

In the fourth movement Beethoven again breaks formal tradition by using a theme and variation structure — a framework that many musical scholars believed could not handle the weight of an end-directed symphony. Borrowing the theme from his earlier Prometheus Variations, here the “ideal Hero” is transformed into a musical representation of an “ideal society” in a fulfillment of the Enlightenment Ideals Beethoven held so dear. 

Our concert on the 13th will open with the thrilling Clarinet Concerto #1 by Bernhard Crussell. Composed between 1808 and 1810, it is a delight from beginning to end — a virtuoso showpiece that is sure to thrill the listener. Born in Finland in 1775, Crussell is a contemporary of Beethoven’s and is considered to be the most outstanding Finnish composer before Jean Sibelius. 

Virtuoso clarinetist Garrick Zoeter is the Anna Lee Van Buren Professor of Clarinet at the Shenandoah Conservatory of Shenandoah University. He is also a founding member of the MSCO. Holding degrees from both the Julliard School of Music and Yale University, he is widely recorded and highly in demand as a freelance musician.

Tickets are on sale on the MSCO website: mainstreetchamberorchestra.org.Students under 18 are admitted free.